Trance music is life.
Trance is a genre of electronic music that developed during the 1990s in Germany. It is characterized by a tempo lying between 125 and 150 beats per minute (BPM), repeating melodic phrases,and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 “peaks” or “drops.” Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient, and film music.
trance music Subgenres
Trance music is broken into a large number of subgenres. Chronologically, the major subgenres are classic trance, acid trance, progressive trance, uplifting trance, and hard trance. Uplifting trance is also known as “anthem trance”, “epic trance”, “commercial trance“, “stadium trance”, or “euphoric trance”, and has been strongly influenced by classical music in the 1990s and 2000s by leading artists such as Ferry Corsten, Armin Van Buuren, Tiesto, Push, Rank 1 and at present with the development of the subgenre “orchestral uplifting trance” or “uplifting trance with symphonic orchestra” by such artists as Andy Blueman, Ciro Visone, Soundlift, Arctic Moon, Sergey Nevone&Simon O’Shine etc. Closely related to Uplifting Trance is Euro-trance, which has become a general term for a wide variety of highly commercialized European dance music. Several subgenres are crossovers with other major genres of electronic music. For instance, Tech trance is a mixture of trance and techno, and Vocal trance “combines [trance’s] progressive elements with pop music”. Balearic beat, which is associated with the laid back vacation lifestyle of Ibiza, Spain, is often called “Balearic trance”, as espoused by Roger Shah. The dream trance genre originated in the mid-1990s, with its popularity then led by Robert Miles. There is also a slower bpm trance music, this styles are often called “psybient” (synonyms are “psychill”, “ambient trance”).
AllMusic states on progressive trance: “the progressive wing of the trance crowd led directly to a more commercial, chart-oriented sound, since trance had never enjoyed much chart action in the first place. Emphasizing the smoother sound of Eurodance or house (and occasionally more reminiscent of Jean-Michel Jarre than Basement Jaxx), Progressive Trance became the sound of the world’s dance floors by the end of the millennium. Critics ridiculed its focus on predictable breakdowns and relative lack of skill to beat-mix, but progressive trance was caned by the hottest DJ.”